Andrew Rosinski is an artist, software engineer, and independent curator whose practice focuses on the intersections of art and technology, moving image and sound, software as art, and the hybridity of digital and physical modes of exhibition.
Utopia realized and reciprocity between man—nature—technology; experimental modes of chronology; and the exploration of cyclical phenomena within contemporaneity are concepts that motivate his art-making practice.
Through his work, Rosinski seeks to discover new connections through the temporal experiences shared between viewers and exhibited work to incite new collective synchronization and concord in contemporaneity and beyond.
His work has exhibited nationally and internationally, including at Museum of the Moving Image, New York; the Museum of Contemporary Art, Chicago; Granoff Center for the Creative Arts at Brown University; Doc Films at the University of Chicago; the Ann Arbor Film Festival; the Gene Siskel Film Center; the Off & Free International Film Festival, Seoul, South Korea; and EXPO Chicago.
He was a recipient of the Propeller Grant funded by the Andy Warhol Foundation for the Visual Arts; he is the founder of DINCA, a contemporary art blog, and DINCA Vision Quest, a moving image and media art festival that occurred in annually across three iterations. He lives and works in Brooklyn, New York.